- Репетиция накануне съемки
- рабочий момент
- рабочий момент
- Оператор-постановщик Алексей Найденов
- рабочий момент
- рабочий момент
- Мила Новикова
- рабочий момент
- рабочий момент
- рабочий момент
- художник-постановщик Оля Абрамова
- рабочий момент
- рабочий момент
- рабочий момент
- рабочий момент
- рабочий момент
- рабочий момент
- рабочий момент
- рабочий момент, оператор – Алексей Найденов
- просто…
- грим перед основной съемкой
- Съемка на крыше закончена…
- группа поддержки
- рабочий момент, крыша
- рабочий момент, крыша
- рабочий момент, крыша
- Мила Новикова с художником по костюмам, Кирой Истратовой
- рабочий момент, крыша
- рабочий момент, крыша
- рабочий момент, крыша
- рабочий момент, крыша
- Аня Мановицкая гримирует героиню перед крышей
- рассвет
- просто – хлопушка…
- кадр из фильма
- кадр из фильма
- кадр из фильма
Director: Vsevolod Aravin
Cameraman: Alexey Naydenov R.G.C.
Scenarist: Mila Novikova
Art-Director: Olga Abramova
Costume designer: Kira Istratova
Make-up: Anna Manovitskaya
Composer: Andrey Crotov
All the characters were played by Mila Novikova
Cameramen: Andrej Jasko, Alexander Kochubey, Maxim Homenko, Alexey Gopsha, Matvey Sidorov, Anton Shurcov
Producers: Vsevolod Aravin, Mila Novikova, Andrey Bondarenko
Production: Film company “MK-production”
Two women sit in a room and try to understand who is to blame for the death of a mutual friend. Each of them blames another one and thinks that her own way of life and attitude to the world is the only correct one. But the passed away person cannot be returned and this fact over and over again returns the conversation to the starting point. «Who is to blame?» The finale, as usually, turns the whole story upside down.
Everything was simple: a room, a day of shooting, an actress, three characters, seven cameras and twenty people who gathered in a legitimate day off to dedicate themselves to the pure creativity for free. That pure creativity was the creation of the short film «The only way out». This day was preceded by four weeks of daily eight-hour rehearsals, and was followed by five weeks of installation …
But the main reason why such films are made is the feeling of unlimited creative freedom.
Photographer Marya Knyazeva
















































































































































































